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Stephanie Plum Books In Order

Below is the complete list of Stephanie Plum books in order of publication. This is the recommended reading sequence for the series by Janet Evanovich.

Stephanie Plum Series

  1. One for the Money (1994)
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  2. Two for the Dough (1996)
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  3. Three to Get Deadly (1997)
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  4. Four to Score (1998)
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  5. High Five (1999)
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  6. Hot Six (2000)
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  7. Seven Up (2001)
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  8. Hard Eight (2002)
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  9. To the Nines (2003)
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  10. Ten Big Ones (2004)
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  11. Eleven on Top (2005)
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  12. Twelve Sharp (2006)
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  13. Lean Mean Thirteen (2007)
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  14. Fearless Fourteen (2008)
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  15. Finger Lickin’ Fifteen (2009)
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  16. Sizzling Sixteen (2009)
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  17. Smokin’ Seventeen (2011)
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  18. Explosive Eighteen (2011)
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  19. Notorious Nineteen (2012)
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  20. Takedown Twenty (2013)
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  21. Top Secret Twenty-One (2014)
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  22. Tricky Twenty-Two (2015)
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  23. Turbo Twenty-Three (2016)
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  24. Hardcore Twenty-Four (2017)
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  25. Look Alive Twenty-Five (2018)
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  26. Twisted Twenty-Six (2019)
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  27. Fortune and Glory (2020)
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  28. Game On (2021)
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  29. Going Rogue (2022)
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  30. Dirty Thirty (2023)
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  31. Now or Never (2024)
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  32. Split Second: Thirty-Two Switcheroo (2026)
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About Stephanie Plum Series

Janet Evanovich’s Stephanie Plum series works because it takes the structure of a crime novel and runs it through chaos, comic timing, and sheer personality. On paper, Stephanie is a bounty hunter in Trenton, New Jersey, tracking fugitives for her cousin’s bail-bond business. In practice, she is one of the most gloriously underqualified long-running protagonists in commercial fiction. That mismatch is the whole point. Stephanie is not a polished detective or hardened professional. She is improvising constantly, and the series gets its energy from watching her survive jobs she is never entirely prepared to handle.

What keeps the books going is voice. These novels are not driven mainly by intricate mystery plotting, though they do have crimes, chases, suspects, and escalating danger. They are driven by Stephanie’s perspective: self-deprecating, impulsive, stubborn, and endlessly capable of turning a bad situation into a worse one. Evanovich understands that readers return as much for tone as for plot. The pleasure is not simply in whether Stephanie catches the fugitive. It is in how much mayhem happens before she does.

The recurring cast is just as important as Stephanie herself. Lula, Grandma Mazur, Joe Morelli, and Ranger are not side decorations around a single heroine. They are the machinery of the series. Lula brings outrageous confidence and comic unpredictability, Grandma Mazur adds a fearless appetite for trouble, Morelli gives the books one kind of romantic and emotional gravity, and Ranger provides another. That balance is one of the reasons publication order matters. The plots may stand alone, but the relationships deepen, shift, and gather years of momentum. A reader can pick up almost any entry and understand the basics, but the long-running jokes, loyalties, and tensions are much richer in sequence.

That is especially true of the romantic structure. The Morelli-Ranger dynamic is not a minor subplot tacked onto a mystery line. It is one of the defining engines of the series. Stephanie’s emotional indecision, attraction, loyalty, and repeated inability to settle her life cleanly become part of the books’ rhythm. Evanovich uses romance not to soften the crime elements, but to complicate them. Stephanie’s work life is messy, and her personal life is often messier.

Publication order also matters because the series depends on accumulation rather than reinvention. Evanovich is not trying to transform Stephanie into a dramatically different person every few books. The appeal lies in familiarity with variation. Stephanie remains recognizably herself: accident-prone, game but nervous, more resilient than she looks, and forever one bad decision away from disaster. But the world around her grows more lived-in over time. The series becomes its own comic ecosystem, where returning characters and recurring problems create a sense of home even when everything is exploding.

The Trenton setting matters too. These books are not generic capers that could happen anywhere. The family texture, neighborhood energy, food, funeral-home atmosphere, and blue-collar New Jersey edge all help define the series. Stephanie’s world feels specific, and that specificity is a big part of why the comedy lands. The books know exactly where they are.

For readers who already have the list above, the best way to think about Stephanie Plum is as a long-running comfort mystery series powered by comic disaster. The crimes matter, but the deeper reward is spending time in a world where incompetence, loyalty, flirtation, danger, and family absurdity are all permanently entangled. Read in publication order, the books become more than a shelf of funny bounty-hunter novels. They become the long record of a heroine who never fully gets her life together and remains irresistible partly because of that.

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